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Alma-Tadema, Sir Lawrence Joseph Overseer of Pharoah's Granaries (mk24) oil painting reproduction


Joseph Overseer of Pharoah's Granaries (mk24)
opus CXXIV 1874 Oil on panel 13 x 17 in/33 x 43.2 cm Private collection
new7/Alma-Tadema, Sir Lawrence-344952.jpgPainting ID::  23016
 

 

 
   
      

Alma-Tadema, Sir Lawrence
  
b.Jan. 8, 1836, Dronrijp, Netherlands. d.June 25, 1912, Wiesbaden, Germany. Painter and designer of Dutch birth. The son of a notary, Alma-Tadema demonstrated an early artistic ability. In 1852 he entered the Antwerp Academy, where he studied under Gustaf, Baron Wappers, and Nicaise de Keyser. An important influence at this time was Louis De Taye, Professor of Archaeology at the academy and a practising artist. Alma-Tadema lived and worked with De Taye from 1857 to 1859 and was encouraged by him to depict subjects from the early history of France and Belgium. This taste for historical themes increased when Alma-Tadema entered Baron Henri Leys studio in 1859 and began assisting him with his monumental frescoes for the Antwerp Town Hall. While in Leys studio, Alma-Tadema produced several major paintings, for example the Education of the Children of Clovis (1861; ex-Sir John Pender priv. col., see Zimmern, p. 3) and Venantius Fortunatus Reading his Poems to Radagonda (1862; Dordrecht, Dordrechts Mus.), which are characterized by their obscure Merovingian subject-matter, rather sombre colouring and close attention to detail.
Joseph Overseer of Pharoah's Granaries (mk24)
opus CXXIV 1874 Oil on panel 13 x 17 in/33 x 43.2 cm Private collection

Related Paintings to Alma-Tadema, Sir Lawrence :.
| Eustache Le Sueur -- The prophesy of St | Rembrandt Harmenszoon van Rijn01 (4) | Charles Le Brun-Entry of Alexander in Babylon | Peter Paul Rubens (1577-1640)-Rubens Daughter Clara Serena (So | Steen, Jan Havicksz. -- Het vrolijke huisgezin, 1668 | | Der Raub der Sabinerinnen | Caesar Alexander Scaglia, Abbot of Staffarda | Madonna and Child with St Dominic and St Thomas of Aquinas | Crucifixion | Head of the Madonna |


        

 

 

 

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